Not many professions, like design, convey most of the information through visual evaluation and performance.
So designers who do a certain degree, like to spend a lot of design reference books, especially in the case, because they can intuitively learn a lot of techniques.
In one lesson, Xu began to ask: Who can say 100 architects, 50 interior designers, 25 lighting designers, 25 landscape architects from all over the world?
The result is imaginable. The key to the problem is not the memory, but whether you know how to stand on the shoulders of the giants in your career.
Previous articles have talked about Pei Ming, Mies van der Rohe, who designed with light, and Richard Kelly, the father of modern lighting design.
Let's take a look at the masters whose reputation is outside, but the lighting people know very little. In their hands, they are all magical magic sticks.
Speaking from Louis Kang
In the last section, we said that Kelly, the father of modern architectural lighting design, designed the lighting for Philip Johnson's glass house, which can be said to open the era of modern landscape lighting.
This section is still a classic project for Kelly as a lighting designer. We are still talking about it from an architect.
Louiskang designed a lot of great buildings, but this time we don't talk about those tall, and he said that he designed a small project in the lighting industry - Kimbell Art Museum
The poetry of concrete - the ethereal under the sun
Ando Tadao is known as the "Clearwater Concrete Poet" because he is not using the clear water concrete design. However, before this, Louis Kang actually used the fair-water concrete in a considerable number of projects earlier.
Photo: Louisk's work, located at the Salk Institute for Biological Studies (California, 1959-65), can find a mysterious and serene taste built with light and shadow.
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